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# Jonathan Feldschuh

science-inspired art

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## Posts

- [News](http://www.jonathanfeldschuh.com/home/news/) - News Stay Frosty Kingston June 21, 2026 Kingston, NY — BravinLee Programs announces Stay Frosty Kingston, the second edition of its open-air art event, presented this year in collaboration with ArtPort Kingston in Read More » Hyperallergic: Carter Ratcliff December 4, 2021 Something like magnetic attraction joins certain descriptions to certain artists. Thus “gestural painter” attaches
- [Stay Frosty Kingston](http://www.jonathanfeldschuh.com/uncategorized/stay-frosty-kingston/) - Kingston, NY — BravinLee Programs announces Stay Frosty Kingston, the second edition of its open-air art event, presented this year in collaboration with ArtPort Kingston in Kingston, New York, and part of Upstate Art Weekend. It is free and open to all. June 25–28. Opening: Thursday evening June 25. Hours: TBA. ArtPort Kingston, 80 Smith Street,
- [in it for the LONG HAUL](http://www.jonathanfeldschuh.com/exhibitions/in-it-for-the-long-haul/) - in it for the LONG HAULRobert Curcio, CuratorOctober 5- November 4, 2023LichtundFire175 Rivington Street, NYC
- [Shenandoah Retreat House](http://www.jonathanfeldschuh.com/exhibitions/shenandoah-retreat-house/) - Commissioned artwork for an eco-aware private residence designed by Carter Burton Architects
- [Simulations](http://www.jonathanfeldschuh.com/exhibitions/simulations/) - Solo exhibition at Cynthia Broan Gallery (NY) and AAAS Gallery (Washington DC) featuring images based on supercomputer simulations
- [Starry Messenger: Galileo's Vision in the 21st Century](http://www.jonathanfeldschuh.com/exhibitions/starry-messenger-galileos-vision-in-the-21st-century/) - group show at the Louisiana Art and Science Museum, in honor of the 500th anniversary of Galileo's book Starry Messenger artists: Vija Celmins Thierry W Despont Elen A. Feinberg Jonathan Feldschuh Eva Lee Carol Prusa Josh Simpson Sallie Wolf
- [Interview: Fran Kaufman and Jonathan Feldschuh](http://www.jonathanfeldschuh.com/statements/interview-fran-kaufman-and-jonathan-feldschuh/) - Jonathan Feldschuh talks with curator Fran Kaufman, recorded from Zoom call 11/3/2021 at the 1GAP Gallery, during the show Dynamic EquilibriumDetails of this exhibition at 1GAP Gallery
- [Fran Kaufman: catalog essay for "Dynamic Equilibrium"](http://www.jonathanfeldschuh.com/news/dynamic-equilibrium-essay-by-fran-kaufman/) - Imagination is more important than knowledge. For knowledge is limited to all we know and understand, while imagination embraces the entire world. —Albert Einstein Walking into Jonathan’s studio one feels an immediate flow of energy: the colors are intense, the strokes are bold, there is an immediate sense of purpose and exploration. Hung high on the non-working wall are two dream-like paintings of the Large Hadron Collider at CERN in Switzerland, a miraculous feat of cooperative science that contains the world’s largest and most powerful particle accelerator. Facing them are large images painted on mylar inspired by particle theory, a dynamic imagining of the interactions of minuscule particles rooted in the specific mathematical formulas that govern their actions.
- [Dynamic Equilibrium - 1GAP Gallery, Brooklyn](http://www.jonathanfeldschuh.com/exhibitions/exhibition-1gap-gallery-brooklyn/) - Solo show at the 1GAP Gallery is scheduled for September-December 2021. Curated by Fran Kaufman.
- [Vivid - Richard Salmon Gallery, London](http://www.jonathanfeldschuh.com/exhibitions/vivid-richard-salmon-gallery-london/) - group exhibition: Torie Begg, Diana Cooper, Clem Crosby, Jonathan Feldschuh, Dennis Hollingsworth, Joan Key, Dona Nelson, Thomas Nozkowski, Jonathan Parsons, Martyn Simpson, Michael Stubbs, Daniel Sturgis Press release Feature from Contemporary Review from the Times of London Further venues: Mead Gallery, Warwick Arts Center, Coventry. April 27 - June 28, 2002 Northern Gallery for Contemporary Art, Sunderland, July 12 - August 23, 2002
- [THINKING IN THE ABSTRACT - David Ryan on "Vivid" in Contemporary](http://www.jonathanfeldschuh.com/reviews/thinking-in-the-abstract-david-ryan-on-vivid-in-contemporary/) - DAVID RYAN CONSIDERS THE DIFFERENCES BETWEEN NEW YORK ABSTRACTION AND ITS BRITISH COUNTERPART
- [Review of "Vivid" - Times of London](http://www.jonathanfeldschuh.com/reviews/review-of-vivid-times-of-london/) - MORE American abstractionists, along with their British equivalents, in Vivid at the Richard Salmon Gallery. It is correct, by and large, to call their painting abstract, but they are by no means dogmatic on the subject: if some concrete reference or even (perish the thought) an apparently explicit title will help, then they are game.
- [Citizen/Artist - curated by Julia Buntaine-Hoel](http://www.jonathanfeldschuh.com/exhibitions/citizen-artist-curated-by-julia-buntaine-hoel/) - The term "citizen scientist" has become increasingly popular with the rise of DIY and crowdsourcing culture, where volunteer citizens can expand the capabilities and reach of scientists for the creation of larger and more comprehensive studies. Thanks to new apps and web-based platforms, the ability to participate in science is available outside of academia and industry. Science can now be done by a 14 year-old on her laptop, or an 80 year-old in his backyard garden. Citizens from all over the world are helping to solve some of our biggest and most complicated problems. And some of these citizen scientists, are artists.
- [Architectural Renderings - Large Windows](http://www.jonathanfeldschuh.com/statements/architectural-renderings-large-windows/) - Architectural visualizations of images from the Large Hadron Collider series as transparent glass for a curtain wall.
- [Painting the Baby Picture of the Universe](http://www.jonathanfeldschuh.com/statements/painting-the-baby-picture-of-the-universe/) - Artist statement on the science behind the Universe paintings.
- [Mixed Greens - Window Installation](http://www.jonathanfeldschuh.com/exhibitions/mixed-greens-window-installation/) - Mixed Greens – Window Installation Large Hadron ColliderMixed GreensNew York, NYwww.mixedgreens.comNovember 15, 2012–January 5, 2013solo showFor this installation, the three large street-facing windows of the gallery were filled with works form the Large Hadron Collider series, and lit from behind. The appearance of the pieces changed from day to night as the backlighting effect predominated
- [The World Egg - exhibition at Skink Ink Gallery](http://www.jonathanfeldschuh.com/exhibitions/the-world-egg-exhibition-at-skink-ink-gallery/) - solo exhibition at Skink Ink Gallery Brooklyn, featuring a wall mural of a new visualization of the universe based on satellite data September 27 - December 6, 2013.
- [The World Egg - FAQs about making art from data](http://www.jonathanfeldschuh.com/statements/the-world-egg-faqs-about-making-art-from-data/) - Frequently asked questions about the process of using data to make artworks about the universe
- [Julia Buntaine -  Visualizing science: bridging the science-art gap](http://www.jonathanfeldschuh.com/videos/julia-buntaine-visualizing-science-bridging-the-science-art-gap/) - Julia Buntaine, editor of SciArt in America, discussing the work of various artists working to combine art and science
- [Shona Macdonald - catalog essay from "Pouring it On"](http://www.jonathanfeldschuh.com/news/shona-macdonald-catalog-essay-from-pouring-it-on/) - The recurring splash motif that crops up in many of Jonathan Feldschuh’s work seems to come directly from the hand dropping pigment from a huge house-painting brush loaded with paint. In fact, the image is derived from his research into various scientific experiments, such as the “Ligament Mediated Drop Formation,” or the “Mach Wave Radiation from a Jet.” The latter is described on Feldschuh’s website as being a “benchtop simulation of a problem in fluid dynamics.” Ironically, this description of the scientific experiment could actually be describing the phenomena of paint, particularly the term, “fluid dynamics.”
- [Lebbeus Woods - SCIENCE TO ART](http://www.jonathanfeldschuh.com/news/lebbeus-woods-science-to-art/) - The interplay between science and art is fascinating but ill-defined. Does science produce a kind of art almost incidentally, for example the images of sub-atomic particles colliding in a linear accelerator? They certainly look like art—abstract and evocative. But doesn’t a work of art have to be created with an intention to be so? If not, then any interesting image would be art and that would disturb the existing social system of values that insists that art be created by artists and science by scientists.
- [In the Studio - discussing Large Hadron Collider](http://www.jonathanfeldschuh.com/statements/large-hadron-collider-mixed-greens-interview-2011/) - Jonathan Feldschuh talks about the Large Hadron Collider series – in the studio, November 2011.
- [Max Henry: catalog essay for "Little Corner of the World"](http://www.jonathanfeldschuh.com/news/max-henry-catalog-essay-for-little-corner-of-the-world/) - Little Corner of the World These are strange paintings. They spell mayhem and decay. Looking like cell and tissue lab specimens suspended in formaldehyde, one is taken aback by the intensity found in these abstract forms. Their loose cartoon-like shapes are drawn with anatomical precision although they are the by-products of a random process. Using an expressionist painter's drip and pour technique, the artist Jonathan Feldschuh layers his canvases with a thick build-up of several clear polymer coats which magnify colorful loopy forms floating beneath the transparent viscous surface. Quite heavy and industrial in appearance, these canvases, (stretched over wood panels), show details of organic forms which have been enlarged or reduced thousands of times in scale. With contrary titles like "Little Corner of the World" and "Wash It Till You Get It Clean", this series has a humorous undercurrent.
- [Lily Wei - Catalog Essay for "Simulations"](http://www.jonathanfeldschuh.com/news/lily-wei-catalog-essay-for-simulations/) - Art & Science, Re-mixed A full spectrum of vivid, blowtorched colors blasts out from several of Jonathan Feldschuh’s new paintings. Others are more muted in hue but no less multicolored or rich. Still others have the respite of a deep blue-black ground. All, however, radiate an intergalactic glow as if seen through an immense mediating lens probing the furthest reaches of immeasurable space. They might be details of the elegant universe in either macro- or micro-mode or they might be non-representational paintings. Feldschuh, like many artists today, likes it at least both ways, collapsing the syntax of representation into that of abstraction. Nonetheless, for this series, his (con)figurations are based on actual images, taken from simulations created by supercomputers or in wind tunnels and other test sites. Feldschuh says he is interested in less familiar scientific imagery and in phenomena that can’t be observed directly.
- [Gregory Williams: catalog essay for "Macrocosm"](http://www.jonathanfeldschuh.com/news/gregory-williams-catalog-essay-for-macrocosm/) - Recent advances in computer-imaging technology have allowed scientists to picture the inconceivable by capturing background radiation emanating from the Big Bang. The result is a beautiful digital rendering that still gives the novice very little sense of what the universe actually looks like. Jonathan Feldschuh has made the wise decision to turn these data accumulations into something more tangible, a painting such as Early Universe North Galactic Hemisphere. Not that anyone still believes in painting’s truth-telling capacity, but acrylic on canvas offers a degree of materiality that is welcome when dealing with mind-bending abstractions.
- [Resonators - 524W26 Gallery](http://www.jonathanfeldschuh.com/exhibitions/resonators/) - Particles and Colliders The show Resonators at 524 Gallery in Chelsea provides the first opportunity for me to present works together from two series that deal with high-energy physics. My new series Particles is an investigation into the interactions of subatomic particles inside an accelerator. It follows my Large Hadron Collider series of paintings of the machinery of the largest accelerator in the world, the LHC at CERN. The collider paintings were most recently exhibited at the National Academy of Sciences in Washington, D.C. In the new series, I am attempting to depict the super-small world of high energy collisions, filled with virtual particles, quantum loops, and hadronic jets.
- [Pouring it On - Herter Gallery](http://www.jonathanfeldschuh.com/exhibitions/pouring-it-on-herter-gallery/) - group show, with catalog CATHY CHOI TOMORY DODGE JONATHAN FELDSCHUH MATTHEW KOLODZIEJ JACQUELINE HUMPHRIES RICHARD ALLEN MORRIS JILL MOSER DAVID REED ROBERT SAGERMAN BRET SLATER JOSH SMITH LESLIE WAYNE SUMMER WHEAT
- [Artforum: Frances Richard on Jonathan Feldschuh](http://www.jonathanfeldschuh.com/reviews/frances-richard-on-jonathan-feldschuh-artforum-international/) - Jonathan Feldschuh CYNTHIA BROAN GALLERY In “Little Corner of the World,” his first solo show in New York, Jonathan Feldschuh exhibited twelve canvases, varying in size but consistent in their mixture of cartoonish sci-fi and romantic verve. A product of the Harvard physics department, Feldschuh has a nice feel for the fine line between microscopic and cosmic conceptions of space and good instincts for the salutary effect of elegance on silliness (and vice versa).
- [George Quasha - art is (Speaking Portraits Vol. 1) - 2009](http://www.jonathanfeldschuh.com/videos/george-quasha-speaking-portraits-vol-1-2009/) - art is (Speaking Portraits)–[Vol. I — v. 1.4]– In his ongoing video art work of “speaking portraits,” artist/poet George Quasha puts an impossible, but unavoidable, question before artists of all kinds and in many places: what is art? In response artists let us in on their private space of art definition. This intimate view of speaking faces, each filling the screen, shows how different it is for artists to say what art is than for others (critics, historians, philosophers, viewers). For a particular artist, art may not only be an object, a thing historically defined, but something close to the core of one’s life, perhaps even a singular event. Here we gain unique access to its nature in the person speaking.
- [Jonathan Feldschuh - Large Hadron Collider](http://www.jonathanfeldschuh.com/exhibitions/jonathan-feldschuh-large-hadron-collider/) - solo show at National Academy of Sciences, Washington DC, with subsequent travel to Keck Institute, Washington DC; Janelia Gallery, Ashburn Virginia (2017); Howard Hughes Medical Institute, Bethesda, MD (2017)
- [Hyperallergic: Carter Ratcliff](http://www.jonathanfeldschuh.com/reviews/hyperallergic-carter-ratcliff/) - Something like magnetic attraction joins certain descriptions to certain artists. Thus “gestural painter” attaches to Jonathan Feldschuh with automatic ease. How else would you label a painter whose images are the swerving, skidding traces of a wide brush wielded with virtuosic vitality? Feldschuh is a gestural painter, no doubt, and yet this readymade phrase is laden with implications that can lead us astray. Not every geometric abstractionist in the years between the World Wars was a utopian, like Piet Mondrian, nor do brushy bursts of energy always put personality on display, as they do in the early paintings of Joan Mitchell. When Feldschuh sends his brush careening over the surface, he is reaching for something beyond himself.
- [PNAS Journal - Science and Culture: Modern “cathedral” offers artistic inspiration](http://www.jonathanfeldschuh.com/reviews/pnas-journal-science-and-culture-modern-cathedral-offers-artistic-inspiration/) - Grandeur is often associated with feats of architecture and engineering. It’s not often applied to scientific experiments. One notable exception is the Large Hadron Collider (LHC), a particle accelerator and collider complex at CERN, the European Organization for Nuclear Research, outside Geneva, Switzerland. Artist Jonathan Feldschuh was so fascinated with the massive instrument’s physical beauty that he created a series of more than 40 paintings detailing the LHC’s various angles, patterns, and vantage points. “I wanted to capture the grandeur,” he says, “in terms of the intellectual project and the physical structure.”
- [Sun Light / Star Light: Contemplations Upon the Solar Orb](http://www.jonathanfeldschuh.com/exhibitions/sun-light-star-light-contemplations-upon-the-solar-orb/) - group show: Louisiana Art & Science Museum
- [Dialogues: Drawings and Works on paper - Satellite Contemporary](http://www.jonathanfeldschuh.com/exhibitions/dialogues-drawings-and-works-on-paper-satellite-contemporary/) - group show: Curated by Trevor Richardson at Satellite Contemporary, Las Vegas
- [Studio Visit - Mixed Greens Interview 2012](http://www.jonathanfeldschuh.com/videos/studio-visit-mixed-greens-interview-2012/) - https://vimeo.com/54955025 A video made by Mixed Greens Gallery, on the Large Hadron Collider window installation 4 minutes, November 2012

## Pages

- [Home](http://www.jonathanfeldschuh.com/) - Large Hadron Collider Particles Macrocosm Simulations Trajectories Microcosm (Little Corner of the World) Jonathan Feldschuh is an artist and scientist. This website is focused on his artwork, derived from scientific sources.
- [Resume](http://www.jonathanfeldschuh.com/home/resume/) - JONATHAN FELDSCHUHEducation:1982-1986Harvard University, A.B. summa cum laude, Physics1993-1996Academy of Fine Arts, PragueSelected Solo Exhibitions:20211GAP Gallery, Brooklyn, New York2017“Particles”, OPUS Project Space, New York2016“Large Hadron Collider”, National Academy of Sciences, Washington DC, with subsequent travel to Keck Institute, Washington DC; Janelia Gallery, Ashburn Virginia (2017); Howard Hughes Medical Institute, Bethesda, MD (2017)2013“The World Egg”, Skink Ink
- [Particle Spin](http://www.jonathanfeldschuh.com/home/images/particle-spin/) - Particle Spin My new series Particle Spin is part of my ongoing Particles project, an attempt to depict the super-small quantum world. For these new paintings, I am working on circular panels rather than rectangular supports. Every painting has a magnet embedded in the panel that allows the paintings to be spun to any desired orientation. Multiple
- [In the Studio](http://www.jonathanfeldschuh.com/in-the-studio/)
- [Refund and Returns Policy](http://www.jonathanfeldschuh.com/refund_returns/) - Overview Our refund and returns policy lasts 30 days. If 30 days have passed since your purchase, we can’t offer you a full refund or exchange. To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging. Refunds
- [Shop](http://www.jonathanfeldschuh.com/shop/)
- [Simulations](http://www.jonathanfeldschuh.com/home/images/simulations/) - Simulations The Simulation series (2003-2007) continues the exploration of scientific images that began with the Macrocosm series. I chose images that researchers have created in an effort to simulate interesting phenomena which cannot be observed directly. Some of these simulations are created using supercomputers, others are physical simulations, created perhaps on a workbench or in a wind tunnel.
- [All Posts](http://www.jonathanfeldschuh.com/home/news/all_posts/) - All Posts Stay Frosty Kingston June 21, 2026 Kingston, NY — BravinLee Programs announces Stay Frosty Kingston, the second edition of its open-air art event, presented this year in collaboration with ArtPort Kingston in Read More » in it for the LONG HAUL December 24, 2023 in it for the LONG HAUL Robert Curcio, Curator October
- [Artist Statements](http://www.jonathanfeldschuh.com/home/news/statements/) - Artist Statements Interview: Fran Kaufman and Jonathan Feldschuh November 28, 2021 https://youtu.be/VgqzCOz-UdU Jonathan Feldschuh talks with curator Fran Kaufman, recorded from Zoom call 11/3/2021 at the 1GAP Gallery, during the show Dynamic Equilibrium Details of this Read More » Resonators – 524W26 Gallery September 20, 2017 Particles and Colliders The show Resonators at 524 Gallery
- [Catalogs / Essays](http://www.jonathanfeldschuh.com/home/news/catalogs/) - Catalogs / Essays Fran Kaufman: catalog essay for “Dynamic Equilibrium” November 21, 2021 Imagination is more important than knowledge. For knowledge is limited to all we know and understand, while imagination embraces the entire world. —Albert Einstein Walking into Jonathan’s studio one feels an immediate flow of energy: the colors are intense, the strokes are
- [Trajectories](http://www.jonathanfeldschuh.com/home/images/trajectories/) - Trajectories The Trajectories series (1999-2004), like the later Particles series, took its inspiration from particle physics. Using a process-based approach to mark making, I created paths of white against colored backgrounds that evoked the early bubble chamber images of particles curving in magnetic fields that were created in the early days of particle explorations.
- [Highlights](http://www.jonathanfeldschuh.com/home/news/highlights/) - Highlights Hyperallergic: Carter Ratcliff December 4, 2021 Something like magnetic attraction joins certain descriptions to certain artists. Thus “gestural painter” attaches to Jonathan Feldschuh with automatic ease. How else would you label a painter whose images are the swerving, skidding traces of a wide brush wielded with virtuosic vitality? Feldschuh is a gestural painter, no
- [Videos](http://www.jonathanfeldschuh.com/home/news/videos/) - Videos Interview: Fran Kaufman and Jonathan Feldschuh November 28, 2021 https://youtu.be/VgqzCOz-UdU Jonathan Feldschuh talks with curator Fran Kaufman, recorded from Zoom call 11/3/2021 at the 1GAP Gallery, during the show Dynamic Equilibrium Details of this Read More » Julia Buntaine – Visualizing science: bridging the science-art gap January 9, 2017 Julia Buntaine, editor of SciArt
- [Reviews](http://www.jonathanfeldschuh.com/home/news/reviews/) - Reviews Hyperallergic: Carter Ratcliff December 4, 2021 Something like magnetic attraction joins certain descriptions to certain artists. Thus “gestural painter” attaches to Jonathan Feldschuh with automatic ease. How else would you label a painter whose images are the swerving, skidding traces of a wide brush wielded with virtuosic vitality? Feldschuh is a gestural painter, no
- [Exhibitions](http://www.jonathanfeldschuh.com/home/news/exhibitions/) - Exhibitions Stay Frosty Kingston June 21, 2026 Kingston, NY — BravinLee Programs announces Stay Frosty Kingston, the second edition of its open-air art event, presented this year in collaboration with ArtPort Kingston in Read More » in it for the LONG HAUL December 24, 2023 in it for the LONG HAUL Robert Curcio, Curator October 5-
- [Large Hadron Collider](http://www.jonathanfeldschuh.com/home/images/large-hadron-collider/) - Large Hadron Collider The Large Hadron Collider series (2006-2017) takes its name form the largest particle accelerator in the world, located at CERN. Most of the paintings from this series are based on the physical apparatus of the accelerator, which is located in vast underground spaces connected by an enormous ring tunnel filled with superconducting
- [Particles](http://www.jonathanfeldschuh.com/home/images/particles/) - Particles The Particles series (2002-present) is inspired by the properties of subatomic particles, in particular the principle of wave-particle duality. Particles are represented by dynamic brushstrokes which move across the surface in an undulating fashion, and seem to break through the picture plane in showers of fragments. These works are inspired by the Feynman diagrams
- [Images](http://www.jonathanfeldschuh.com/home/images/) - Large Hadron ColliderParticlesMacrocosmSimulationsTrajectoriesMicrocosm (Little Corner of the World)
- [Ceres](http://www.jonathanfeldschuh.com/ceres/) - Portfolio for Ceres Ruzich
- [Microcosm (Little Corner of the World)](http://www.jonathanfeldschuh.com/home/images/microcosm-little-corner-of-the-world/) - Microcosm (Little Corner of the World) The Microcosm(Little Corner of the World) series (1999-present) is the foundational series of my science-based work. This was the beginning of my process-based investigations on the borders of abstraction and figuration. Using chance-based processes of applying paint, I accentuated the outlines of resulting forms in a way that referenced
- [Macrocosm](http://www.jonathanfeldschuh.com/home/images/macrocosm/) - Macrocosm The Macrocosm series (2002-2013) is based on information gathered from scientific exploration. I start with pictures of datasets, images captured by satellites and space observatories. Most of the paintings are seen from the point of view in orbit around the earth, looking out into the cosmos.The images in this series may be seen to
- [Contact](http://www.jonathanfeldschuh.com/home/contact-2/) - Jonathan Feldschuh Studio526 W. 26th St. Suite 715NY, NY 10001jonathan.feldschuh@gmail.com Subscribe to my (infrequent!) mailing list to hear about new exhibitions * indicates required Email Address * First Name Last Name

## Products

- [Particle Spin #92](http://www.jonathanfeldschuh.com/product/particle-spin-92/) - Jonathan Feldschuh, Particle Spin #92, acrylic on panel with magnetic mounting, 4" x 4", 2023
- [Particle Spin #102](http://www.jonathanfeldschuh.com/product/particle-spin-102/) - Jonathan Feldschuh, Particle Spin #102, acrylic on panel with magnetic mounting, 4" x 4", 2023
- [Particle Spin #94](http://www.jonathanfeldschuh.com/product/particle-spin-94/) - Jonathan Feldschuh, Particle Spin #94, acrylic on panel with magnetic mounting, 4" x 4", 2023
- [Particle Spin #101](http://www.jonathanfeldschuh.com/product/particle-spin-101/) - Jonathan Feldschuh, Particle Spin #101, acrylic on panel with magnetic mounting, 4" x 4", 2023

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- [News](http://www.jonathanfeldschuh.com/category/news/) - All activity
- [Highlights](http://www.jonathanfeldschuh.com/category/highlights/)
- [Catalogs](http://www.jonathanfeldschuh.com/category/catalogs/) - catalog essays, and full downloads of catalogs

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