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JONATHAN FELDSCHUH
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| Education: | |
| 1982-1986 | Harvard University, summa cum laude in Physics |
| 1993-1996 | Academy of Fine Arts, Prague |
| Selected Solo Exhibitions: | |
| 2012 | "Large Hadron Collider", Mixed Greens Project Space, New York |
| 2008 | "Large Hadron Collider", Galerie Vernon & Vernon Projekt, Prague |
| 2005 | "Simulations", Cynthia Broan Gallery, New York; AAAS Gallery, Washington DC |
| 2004 | "Trajectories", Marella Arte Contemporanea, Como |
| 2003 | "Solar", Art Resources Transfer, New York |
| 2002 | "macro-mini", Vernon Fine Art International, Prague |
| "Macrocosm", Cynthia Broan Gallery, New York | |
| 2000 | "Little Corner of the World", Cynthia Broan Gallery, New York |
| Selected Group Exhibitions: | |
| 2012 | "The Quantum Effect", The Active Space, Brooklyn |
| "Laboratory", Pfizer Labs, Brooklyn | |
| 2010 | "Lost Horizon", ArtJail Gallery, New York |
| 2009 | "Starry Messenger: Galileo's Vision in the 21st Century", Louisiana Art & Science Museum |
| 2006 | "Science as Muse”, Montgomery Center for the Arts, New Jersey |
| "Native Spirit" Supreme Trading, Brooklyn | |
| 2005 | "Beautiful Dreamers" Spaces, Cleveland |
| 2004 | “DNA: Art & Science”, University of South Florida Contemporary Art Museum |
| Art Miami (with Cynthia Broan Gallery) | |
| 2003 | "Before and After Science", Marella Arte Contemporanea, Milan |
| Scope Art Fair (with Cynthia Broan Gallery) | |
| Art Chicago (with Cynthia Broan Gallery) | |
| 2002 | "Some Are Painting II", Educational Alliance, New York |
| “Vivid”, Mead Gallery, Warwick Arts Center, Coventry; Northern Gallery for Contemporary Art, Sunderland | |
| "DNA", Art Resources Transfer, New York (Hallway Space project) | |
| 2001 | "Vivid", Richard Salmon Gallery, London |
| "Blotto", Klein Art Works, Chicago | |
| "Re: Duchamp”, S. Maria Ausiliatrice, Venice (concurrent with Biennale); Istanbul Biennial | |
| "Some Are Painting", John Gibson Gallery, New York | |
| "Oomph", Klein Art Works, Chicago | |
| "New American Talent 16", Jones Center for Contemporary Art, Austin (with additional Texas venues) | |
| 2000 | "Winter Paper", Catherine Moore Gallery, New York |
| "Flatfiles Traveling Exhibition", Pierogi 2000 Gallery (@ Post Gallery, Los Angeles, Yerba Buena Arts Center, San Francisco) | |
| "Substance", Neoimages Gallery, New York | |
| "Pix", Lance Fung Gallery, New York | |
| "Yard Sale", Downtown Arts Festival, New York | |
| "(In)visible", Wittman Lawrence Gallery, Vancouver | |
| "Summer Paper", Catherine Moore Gallery, New York | |
| "Loopy", Gallery Korea, New York | |
| "Re: Duchamp”, Kulturbahnhof, Bremen; Emmanuel Heller Gallery, Tel Aviv; The Artist's Museum, Lodz | |
| 1999 | "Jonathan Feldschuh & Leemour Pelli", Hartnett-Murray Gallery, New York |
| "Size Matters", Gail Gates Gallery, New York | |
| "The Paper Show", Hartnett-Murray Gallery, New York | |
| 1998 | "Abstraction", Fredric Snitzer Gallery, Miami |
| "The Preview Show", Hartnett-Murray Gallery, New York | |
| 1997 | "Convergence", George Billis Gallery, New York |
| Awards / Residencies: | |
| 2010 | Premio Terna 02, Finalist |
| 2002 | Santa Fe Art Institute, Residency |
| 1998 | Edward F. Albee Foundation, Summer Residency |
| 1986 | DAAD (Goethe Haus) grant |
| Selected Bibliography: | |
| 2013 | Bushwick Daily, “The Quantum Effect at The Active Space Brings a Touch of Mystery”, Jen Hitchings |
| 2009 | The Advocate, "LASM art exhibit celebrates Galileo's vision", Robin Miller |
| 2008 | Prague Post,"Cosmic connections", Tony Ozuna |
| Science, "Two Cultures" | |
| 2005 | Nature, "Colour Vision", Alison Abbott |
| Cleveland Scene, "Beautiful Dreamers", Zachary Lewis | |
| 2003 | "Before and After Science" (catalog), Marella Arte Contemporanea |
| Genome News Network, 6/13/2003, "Molecules and Galaxies", Birgit Reinert | |
| 2002 | tema celeste, july/august, "jonathan feldschuh", Steven Vincent |
| Village Voice, June 11, (listing), Kim Levin | |
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Artnet, June 4, “Weekend Update”, Walter Robinson |
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| Astronomy.com, May, "The Universe on Canvas ", Kelly Kizer Whitt | |
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“Macrocosm” (catalog, essay by Gregory Williams) |
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| What's On (Birmingham), May 10, 2002, "Vivid Imagination" . Dave Freak | |
| Guardian, "Exhibition Guide", May 4, 2002 | |
| Metro News, May 16, 2002, "The New Abstract Agenda", Emma Safe | |
| Metro News, July 24, 2002, "Brush Strokes Battle Back", Rich Jevons | |
| THE, "Oh Look -painting is back on the menu again!", Gail Nina Anderson | |
| TimeOut London, January 9-16, “Vivid”, Martin Herbert | |
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Contemporary, February, “Thinking in the Abstract”, David Ryan |
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The Times (London), January 9, “Around the Galleries”, John Russell Taylor |
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The Art Newspaper, January, “Alison Jackson and ‘Vivid’” |
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| 2001 | "Vivid" (catalog, essay by David Ryan) |
| New York Times, June 29, "Some (Are) Painting", Ken Johnson | |
| "New American Talent 16" (catalog) | |
| 2000 | Artforum, December, “Jonathan Feldschuh / Cynthia Broan Gallery”, Frances Richard |
| Shout Magazine, October, “Jonathan Feldschuh”, Mark Kostobi | |
| "Little Corner of the World" (catalog, essay by Max Henry) | |
| Vancouver magazine, February (hot picks) | |
| 1999 | New York Contemporary Art Report, March (photo) |
| Cover, May, “Leemour Pelli / Jonathan Feldschuh”, Celine Curiol | |