| 1982-1986 | Harvard University, A.B. summa cum laude, Physics |
| 1993-1996 | Academy of Fine Arts, Prague |
| 2021 | 1GAP Gallery, Brooklyn, New York |
| 2017 | “Particles”, OPUS Project Space, New York |
| 2016 | “Large Hadron Collider”, National Academy of Sciences, Washington DC, with subsequent travel to Keck Institute, Washington DC; Janelia Gallery, Ashburn Virginia (2017); Howard Hughes Medical Institute, Bethesda, MD (2017) |
| 2013 | “The World Egg”, Skink Ink Editions, Brooklyn, New York |
| 2012 | “Large Hadron Collider”, Mixed Greens Project Space, New York |
| 2008 | “Large Hadron Collider”, Galerie Vernon & Vernon Projekt, Prague |
| 2005 | “Simulations”, Cynthia Broan Gallery, New York |
| “Jonathan Feldschuh – Paintings”, AAAS Gallery, Washington DC | |
| 2004 | “Trajectories”, Marella Arte Contemporanea, Como |
| 2003 | “Solar”, Art Resources Transfer, New York |
| 2002 | “macro-mini”, Vernon Fine Art International, Prague |
| “Macrocosm”, Cynthia Broan Gallery, New York | |
| 2000 | “Little Corner of the World”, Cynthia Broan Gallery, New York |
| 2026 | “Stay Frosty Kingston”, Artport, Kingston New York |
| 2025 | “Variable Matrix”, Tivoli Artists Gallery, New York |
| 2023 | “In it for the Long Haul”, Lichtundfire, New York |
| “Off Brand” A.R.T., Jackson Heights, NY | |
| 2022 | “Off Brand” A.R.T., Jackson Heights, NY |
| 2019 | “Citizen/Artist”, TCNJ Art Gallery, Ewing, New Jersey, with subsequent travel to Center for the Arts, Northeastern University, MA |
| 2017 | “The Cloud and the Void”, UES Gallery, New York |
| “Resonators” 524W26 Gallery, New York | |
| 2016 | “Visual Inquiries: Artists Inspired by Science”, Fingesten Gallery at Pace University, New York |
| “Dialogues: Drawings and Works on paper”, Satellite Contemporary, Las Vegas | |
| 2015 | “Sun Light / Star Light: Contemplations Upon the Solar Orb” – Louisiana Art & Science Museum |
| 2014 | “Pouring it On”, Herter Art Gallery, University of Massachusetts, Amherst |
| 2013 | “Open Canvas”, The Paper Factory, Queens, New York |
| 2012 | “The Quantum Effect”, The Active Space, New York |
| “Laboratory”, Pfizer Labs, Brooklyn | |
| 2010 | “Lost Horizon” ArtJail Gallery, New York |
| 2009 | “Starry Messenger: Galileo’s Vision in the 21st Century”, Louisiana Art & Science Museum |
| 2006 | “Science as Muse”, Montgomery Center for the Arts, New Jersey |
| “Native New Yorker”, Supreme Trading, Brooklyn | |
| 2005 | “Salon”, Makor Gallery, New York |
| “Beautiful Dreamer”, Spaces Gallery, Cleveland | |
| 2004 | “DNA: Art & Science”, University of South Florida Contemporary Art Museum |
| Art Miami (with Cynthia Broan Gallery) | |
| 2003 | “Before and After Science”, Marella Arte Contemporanea, Milan |
| Art Chicago (with Cynthia Broan Gallery) | |
| 2002 | “Vivid”, Mead Gallery, Warwick Arts Center, Coventry; Northern Gallery for Contemporary Art, Sunderland |
| “DNA”, Art Resources Transfer, New York | |
| 2001 | “Vivid”, Richard Salmon Gallery, London |
| “Blotto”, Klein Art Works, Chicago | |
“Re: Duchamp”, S. Maria Ausiliatrice, Venice (concurrent with Biennale); Istanbul Biennial | |
| “Some Are Painting”, John Gibson Gallery, New York | |
| “Oomph”, Klein Art Works, Chicago | |
| “New American Talent 16”, Jones Center for Contemporary Art, Austin (with additional Texas venues) | |
| 2000 | “Winter Paper”, Catherine Moore Gallery, New York |
| “Flatfiles Traveling Exhibition”, Pierogi 2000 Gallery (@ Post Gallery, Los Angeles, Yerba Buena Arts Center, San Francisco) | |
| “Substance”, Neoimages Gallery, New York | |
| “Pix”, Lance Fung Gallery, New York | |
| “Yard Sale”, Downtown Arts Festival, New York | |
| “(In)visible”, Wittman Lawrence Gallery, Vancouver | |
| “Summer Paper”, Catherine Moore Gallery, New York | |
| “Loopy”, Gallery Korea, New York | |
| “Re: Duchamp”, Kulturbahnhof, Bremen; Emmanuel Heller Gallery, Tel Aviv; The Artist’s Museum, Lodz | |
| 1999 | “Jonathan Feldschuh & Leemour Pelli”, Hartnett-Murray Gallery, New York |
| “Size Matters”, Gale Gates Gallery, New York | |
| “The Paper Show”, Hartnett-Murray Gallery, New York | |
| 1998 | “Abstraction”, Fredric Snitzer Gallery, Miami |
| “The Preview Show”, Hartnett-Murray Gallery, New York |
| 2010 | Terna Prize 02, Finalist (Catalog) |
| 2002 | Sante Fe Art Institute, Residency |
| 1998 | Edward F. Albee Foundation, Summer Residency |
| 1986 | DAAD (Goethe Haus) grant |
| 2021 | Hyperallergic, ”Jonathan Feldschuh’s Visions of a Subatomic World”, Carter Ratcliff |
| SciArt Magazine, Volume 44, “Movement, Painted” | |
| 2017 | Nautilus, vol. 44, January 2017, “The Multiple Multiverses May Be One and the Same”, Dan Falk (image); “How Art Can Make the Data Pop”, Shannon Hall (2 images) |
| SciArt Magazine, October, “The Void and the Cloud” | |
| 2016 | PNAS, vol. 113 no. 32 ‘Science and Culture: Modern “Cathedral” Offers Artistic Inspiration’, David Harris |
| SciArt Magazine, August, “Stellar Ashes” (images of four paintings) | |
| Cold Facts, vol. 32, no. 3 (cover image) | |
| Issues in Science and Technology, Winter 2016, “Large Hadron Collider: Paintings by Jonathan Feldshuh” (5-page photo feature) | |
| The Scientist, 10/14/16, “Double Take: Science-Inspired Art”, Ashley Taylor | |
| 2015 | Sun Light / Star Light: Contemplations Upon the Solar Orb, catalog with essay by Elizabeth Weinstein, Louisiana Art & Science Museu |
| The Advocate, “Human’s link with the sun examined in Louisiana Art & Science Museum exhibit”, Robin Miller | |
| 2014 | Pouring it On, catalog with essay by Trevor Richardson, University of Massachusets, Amherst |
| 2013 | Astronomy, 12/3/13, “World Egg: Jonathan Feldschuh’s artistic interpretation of Planck satellite data”, Sarah Scoles |
| SciArt In America, December 2013, “In the Studio with Jonathan Feldschuh”, Ashley Taylor | |
| Popular Science, “Big Pic: The Universe Reimagined As A Fiery Egg”, Shaunacy Ferro | |
| Bushwick Daily, “The Quantum Effect at The Active Space Brings a Touch of Mystery”, Jen Hitchings | |
| 2009 | The Advocate, “LASM art exhibit celebrates Galileo’s vision”, Robin Miller |
| 2008 | Prague Post,”Cosmic connections”, Tony Ozuna |
| Science, “Two Cultures” | |
| 2005 | Simulations catalog; “Art and Science – Re-mixed” (essay by Lilly Wei) |
| Nature, “Colour Vision”, Alison Abbott | |
| 2003 | “Before and After Science” (catalog, essay by Primo Marella) |
| Genome News Network, 6/13/2003, “Molecules and Galaxies”, Birgit Reinert | |
| 2002 | tema celeste, july/august, “jonathan feldschuh”, Steven Vincent |
| Village Voice, June 11, Kim Levin | |
| Artnet, June 4, “Weekend Update”, Walter Robinson | |
| Astronomy.com, May, “The Universe on Canvas “, Kelly Kizer Whitt | |
| “Macrocosm” (catalog, essay by Gregory Williams) | |
| Metro News, July 24, 2002, “Brush Strokes Battle Back”, Rich Jevons | |
| THE, “Oh Look -painting is back on the menu again!”, Gail Nina Anderson | |
| TimeOut London, January 9-16, “Vivid”, Martin Herbert | |
| Contemporary, February, “Thinking in the Abstract”, David Ryan | |
| The Times (London), January 9, “Around the Galleries”, John Russell Taylor | |
| The Art Newspaper, January, “Alison Jackson and ‘Vivid’” | |
| 2001 | “Vivid” (catalog, essay by David Ryan) |
| New York Times, June 29, “Some Are Painting”, Ken Johnson | |
| “New American Talent 16” (catalog) | |
| 2000 | Artforum, December, “Jonathan Feldschuh”, Frances Richard |
| Shout Magazine, October, “Jonathan Feldschuh”, Mark Kostabi | |
| “Little Corner of the World” (catalog, essay by Max Henry) | |
| Cover, May, “Leemour Pelli / Jonathan Feldschuh”, Celine Curiol |